1.0Bethanienhttps://bethanien.digitalewege.de/en/thorstenhttps://bethanien.digitalewege.de/en/author/thorsten/rich600338<blockquote class="wp-embedded-content" data-secret="80lCbV6ZSU"><a href="https://bethanien.digitalewege.de/en/exhibitions/youki-hirakawa/">Youki Hirakawa</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://bethanien.digitalewege.de/en/exhibitions/youki-hirakawa/embed/#?secret=80lCbV6ZSU" width="600" height="338" title="“Youki Hirakawa” — Bethanien" data-secret="80lCbV6ZSU" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://bethanien.digitalewege.de/wp-includes/js/wp-embed.min.js </script> A play of the visible and the invisible dominates Youki Hirakawa’s works. He works in the media film, video and photography, but also with objects. One continuing theme is the way in which the human eye sees and observes. In many works he uses our brain’s ability to complete incomplete projections, so that despite missing […]https://bethanien.digitalewege.de/wp-content/uploads/2022/11/cropped-Favicon_512x512.png512512