1.0Bethanienhttps://bethanien.digitalewege.de/en/thorstenhttps://bethanien.digitalewege.de/en/author/thorsten/rich600338<blockquote class="wp-embedded-content" data-secret="aIKyRhiXTL"><a href="https://bethanien.digitalewege.de/en/exhibitions/cynthia-girard/">Cynthia Girard</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://bethanien.digitalewege.de/en/exhibitions/cynthia-girard/embed/#?secret=aIKyRhiXTL" width="600" height="338" title="“Cynthia Girard” — Bethanien" data-secret="aIKyRhiXTL" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://bethanien.digitalewege.de/wp-includes/js/wp-embed.min.js </script> Cynthia Girard’s painting consciously avoids notions such as professionalism and academically schooled virtuosity. Her pictures and installations are narratives about painting itself, in which she concerns herself with questions of representation and with overcoming the conflict between abstraction and figuration, between purely formal and narrative depictions. By appropriating elements of Minimal, Hard-Edge, Op-Art or Neo-Expressionism […]https://bethanien.digitalewege.de/wp-content/uploads/2022/11/cropped-Favicon_512x512.png512512