1.0Bethanienhttps://bethanien.digitalewege.de/en/thorstenhttps://bethanien.digitalewege.de/en/author/thorsten/rich600338<blockquote class="wp-embedded-content" data-secret="xtUFuMkyal"><a href="https://bethanien.digitalewege.de/en/artists/tibor-horvath/">Tibor Horváth</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://bethanien.digitalewege.de/en/artists/tibor-horvath/embed/#?secret=xtUFuMkyal" width="600" height="338" title="“Tibor Horváth” — Bethanien" data-secret="xtUFuMkyal" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://bethanien.digitalewege.de/wp-includes/js/wp-embed.min.js </script> Tibor Horváth‘s works have been characterized by radical taboo-subverting, and sometimes provocation-laden, institutional and social critique. In addition to the genres of graphics, photography, video and installation, his works are often realized in actions as well as various fictional and operational institutions. As his main weapons, Horváth operates with irony, persiflage, intentional misreadings and reinterpretation. […]https://bethanien.digitalewege.de/wp-content/uploads/2022/11/cropped-Favicon_512x512.png512512