1.0Bethanienhttps://bethanien.digitalewege.de/en/thorstenhttps://bethanien.digitalewege.de/en/author/thorsten/rich600338<blockquote class="wp-embedded-content" data-secret="AjpylZZKdA"><a href="https://bethanien.digitalewege.de/en/artists/talya-lubinsky/">Talya Lubinsky</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://bethanien.digitalewege.de/en/artists/talya-lubinsky/embed/#?secret=AjpylZZKdA" width="600" height="338" title="“Talya Lubinsky” — Bethanien" data-secret="AjpylZZKdA" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://bethanien.digitalewege.de/wp-includes/js/wp-embed.min.js </script> Talya Lubinsky’s research based practice employs elemental materials to function as open signifiers for poetic meaning, that give form to specific contexts and histories. In her exhibition, If we burn, there is ash, Johannesburg, 2016, ash and cement are used as materials to investigatethe potential aftermaths of fire and burning in relation to colonial collections […]https://bethanien.digitalewege.de/wp-content/uploads/2022/11/cropped-Favicon_512x512.png512512