1.0Bethanienhttps://bethanien.digitalewege.de/en/thorstenhttps://bethanien.digitalewege.de/en/author/thorsten/rich600338<blockquote class="wp-embedded-content" data-secret="McwqbV3sQG"><a href="https://bethanien.digitalewege.de/en/artists/gladys-kalichini/">Gladys Kalichini</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://bethanien.digitalewege.de/en/artists/gladys-kalichini/embed/#?secret=McwqbV3sQG" width="600" height="338" title="“Gladys Kalichini” — Bethanien" data-secret="McwqbV3sQG" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://bethanien.digitalewege.de/wp-includes/js/wp-embed.min.js </script> Gladys Kalichini’s work explores representations of women in relation to dominant, national colonial histories. Her ongoing project focuses on notions relating to the (in)visibility of narratives of six women in relation to the official independence narratives of Zambia and Zimbabwe (formerly known as Northern Rhodesia and Southern Rhodesia). In her previous project ChaMoneka: UnCasting Shadows […]https://bethanien.digitalewege.de/wp-content/uploads/2022/11/cropped-Favicon_512x512.png512512